Saturday, 7 May 2022

The Glue Factory newsletter 31


Sunday 8th May 2022


Every Sunday The Glue Factory newsletter will bring to your attention the kind of things you need to know.


I welcome suggestions from authors, indie publishers, press agents and creative practitioners of all kinds, in any medium, so please email me with anything you’d like to share with our readers in future issues. 


And don’t forget that if you receive this newsletter you’ll also get a link at 6:30pm to the live online gathering on Sundays which start at 7:30pm UK time. They are free to join (so donations to The Trussell Trust or your local equivalent outside the UK are appreciated).


Let me know if you’d rather not receive this regular update and I’ll happily stop bothering you.  


Let’s stick together.


David



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Newsletter contents



1 Aid for Ukraine


2 This week’s online gathering


3 Indie press news


    Charco Press

    Peirine Press

    Fitzcarraldo


4 Short Story Boot Camp with Ruby Cowling


5 Niven Govinden at the LRB bookshop


6 A Zoom of One's Own


7 David Hayden short story klaxon


8 European Poetry Festival


9 Consumer corner


10 Trigger warning

 

11 Next week’s online gathering


12 Nudge



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1. Aid for Ukraine


You’ll have many calls on your time and generosity when it comes to supporting the people of Ukraine and the ghastly term ‘compassion fatigue’ has been circulating. This weekly newsletter will continue to highlight some of the less visible initiatives but the most far-reaching programme is the British Red Cross Ukraine Crisis Appeal. You can donate here.

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2. This week’s online gathering



The esteemed psychotherapist Andrew Jamieson joins us to discuss and read from his latest book MIDLIFE: Humanity’s Secret Weapon (published on 10th May by Notting Hill Editions). Andrew draws on years of study and research to realise that the midlife crisis isn't some superficial, modern dilemma that we can laugh off: rather there is an actual evolutionary purpose behind this rite of passage and it is part of the reason why humans are the dominant species. 


 

We’ll also be joined by the poet Astrid Alben who will be discussing ands reading (in Dutch and English) from her new book Little Dead Rabbit; our roving reporter Melissa McCarthy will tackle the subject of graffiti; Peter Chrisp & Lisa Wolfe will share some first reviews of Finnegans Wake and I’ll says something about the American film-maker Mary Ellen Bute.

     

You’ll get a unique Zoom link at 6:30pm BST. Log into the waiting room in good time for the programme, which starts at 7:30pm. Do join us for 90 minutes of cultural cavorting.


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3. Indie press news


                                        

Charco Press



Exciting news from this enterprising indie press this week. Julián Fuks's novel Occupation, translated by Daniel Hahn, has been long-listed for the Oxford-Weidenfeld Prize 2022.


Details of the complete longlist here.


The Oxford-Weidenfeld Prize is for book-length literary translations into English from any living European language. It aims to honour the craft of translation, and to recognise its cultural importance. It was founded by Lord Weidenfeld and funded by New College, The Queen’s College and St Anne’s College, Oxford.

Peirene Press

Also on the Oxford_Weidenfeld Translation Prize longlist is John Litell's translation of Andrea Lundgren's Nordic Fauna, published by Peirene. John's achievement is particularly impressive because Nordic Fauna was his debut literary translation, completed at the height of lockdown, while working full time as a doctor in intensive care. 

Nordic Fauna is a collection of six short stories by the Swedish writer Andrea Lundgren, set in a liminal space between town and wilderness where human consciousness meets something more animalistic. From foxes to whales to angels, the creatures that roam through this collection spark a desire for something more in their human counterparts: a longing for transformation.  Click here to find out more. 

Fitzcarraldo

The most industrious of indie presses Fitzcarraldo is
 running a spring sale! 20 per cent off everything on their website (including subscriptions) until Sunday 8th May (that's tonight) at midnight GMT. Enter the discount code MAY2022 at checkout: fitzcarraldoeditions.com
 

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4. Short Story Boot Camp with Ruby Cowling


Author Ruby Cowling took part in last week’s online gathering, reading her short story from the new anthology Waiting for the Gift.


She will be leading an online course in short story writing between 17th May and 18th July, a course is aimed at those who are serious about their short stories, whether you are yet to be published or already have some publication record. You can read some feedback from writers on Ruby’s previous courses here.

Course Outline

  • Two rounds of critical feedback from your tutor on a draft story of up to 5,000 words
  • Three assignments, including reading material, discussion prompts and writing exercises
  • Discussion of assignments, exercises and work-in-progress (optional) with your peers
  • One set of peer feedback on work-in-progress or writing exercise
  • Story surgery and submissions advice – creative and practical help from your tutor
  • An online writing community, lasting beyond the end of the course

This course is nine weeks long and asynchronous (so you can log in and add to the discussion whenever you want). You will submit a story of up to 5,000 words before the course starts, to receive detailed critical feedback from the course tutor. You’ll have time partway through the course to work on your story, and submit it to Ruby for a second read and feedback. There will be the opportunity to polish your story and share with the group at the end of the course.

Throughout the course, Ruby will upload three assignments to work through. These will include texts to read and discuss, teaching from Ruby, and writing exercises. You will also be able to discuss these, and share your work with fellow writers if you would like to.

Click here for more details 

https://www.londonlitlab.co.uk/course/short-story-bootcamp-fix-polish-submit/


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5. Niven Govinden at the LRB bookshop


On February 27th last year author Niven Govinden curated a Carthorse Orchestra gathering to celebrate the publication of his novel Diary of a Film, and a great time was had by all.


The book appears in paperback later this month and there's an event at the LRB bookshop in Bury Place, Bloomsbury, on Thursday 19th May, when Niven will be in conversation with Gareth Evans to celebrate his 'outstanding, luxurious novel'. 


This event is in-person only (not available via Zoom). More details and tickets are available here

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6. A Zoom of One's Own


Since May 2nd there have been changes to how Zoom works. 


These will not effect The Glue Factory as I have a full Zoom package which gives me (as host) un limited screen time and a few extra features, none of which I can exploit efficiently. My Zoom sub is the main overhead when running the gatherings. 


But, if you have the Basic Zoom package (which is free and will remain so) there will no longer be unlimited one-to-one/group calls, and these will be limited to 40 minutes maximum. This may not effect you, but if you need more than this you should look at the alternative Zoom packages (having said which the Free Basic bundle is an astonishing giveaway and I'm surprised it hasn't already been monetised)


What can I do if I need more than 40 minutes for my meetings?

There is no limit to how many meetings a Basic user can host; however, if you prefer to avoid a meeting timeout at 40 minutes you might upgrade to a Pro account to remove the 40-minute limit from all future meetings.

I am a free user but I attend meetings hosted by a Licensed user. Will my presence in their meeting affect the time duration?

No, the maximum meeting duration is determined by the account type of the original host of the meeting. The account types of the meeting's participants do not affect the maximum meeting duration.


So - to repeat - this will not make any difference to your ability to access Glue Factory gatherings because as host I am not restricted by this policy change and neither are my guests.


Phew.

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7. David Hayden short story


'How it works' is a new short story by David Hayden, published by Granta.


'Dinner plates empty in front of me, and the present softens and melts, and I’m sitting in a cab headed for Facets in Chicago with an overdue VHS tape of Věra Chytilová’s Daisies. It’s an eight-dollar ride and I have six and change. I will get out early and walk. The night is shining black; it’s wet, it’s beautiful. No one talks. I hand over the money, open the door and step into my own kitchen.'


Read the whole story here


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8. European poetry Festival


From June 15th. All free, all good! More than 150 poets at 15 events. Details via the links below and also here.


EUROPEAN POETRY FESTIVAL 2022


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8. Consumer Corner


British tax-payers: you might not know this, but the HMRC helpline costs £3.60 per minute so (for instance) being kept on hold for 26 minutes will cost you £90 and you’ll have absolutely nothing at all to show for it. 


You might not know this either, but the Everyman Cinema chain imposes an unpublicised surcharge on Bank holidays so a couple of tickets that would normally cost £26 actually cost £35. The good news is you can replicate the entire Everyman experience at a fraction of the cost by sitting in a greasy spoon caff surrounded by chomping, slurping punters while watching something on a tiny smartphone screen.

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9. Trigger warning


Michael Caines, writing in the TLS this week, reports on The Brooklyn Public Library literary prize, founded in 2015, and, “generously supported” by the Peck Stacpoole Foundation. It claims to “recognize” writing that captures the “spirit of Brooklyn”. It’s worth $5,000 to the winners, such as (last year) New Yorkers by Craig Taylor and The Wild Fox of Yemen by Threa Almontaser. The selections are made by “librarians and library staff”.

Those selfsame librarians received an email last month informing them that they were not to think of themselves as “arbiters of quality and taste”. According to the library’s Office of Neighbourhood Services, your neighbours may mistake you for such makers of taste if you include the fatal word “literary” in the name of your prize. 

Despite being hobbled with that alarming adjective, the Brooklyn Public Library literary prize has “always stood for breaking down barriers and honoring innovative and inventive books”. “Literary”, however, “is a term that has come to represent an elitist view that may lead to missing out on some amazing titles.” Worst of all, “literary” is a word that “puts the focus on quality of writing rather than how exciting and important those ideas are”.

The upshot is The Brooklyn Public Library literary prize is now the Brooklyn book prize.

If this is just another witless skirmish in the so-called culture wars so important to the far right include me out. But if ‘literary’ is really regarded by librarians as an expression of an elitist view, then what about the word ‘library’ itself? An interest in literature may be a minority activity, but that doesn’t make it elitist. So nuts to the Brooklyn Public Library Office of Neighbourhood Services, I say. 

I’m reminded of the sour view that the Brexit referendum was like watching your own library being burned down by people who can’t read. That's not quite right. As (I think) Jeremy Noel-Todd pointed out, Brexit is more like watching your own library burned down by people who have their own library. 

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10. Next week's online gathering


Join us on Sunday 15th May for a very special literary gathering.


We'll have the winner of this year's Republic of Consciousness Prize (announced next week) for conversation and readings, and we'll be joined by debut author Jonathan Page


In the second half we'll be launching J O Morgan’s forthcoming (and wildly original and brilliant) novel Appliance (Published by Jonathan Cape on 19th May), with readings by the author.


All this, and a bit more.



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11. Nudge


Last week The Trussell Trust shared the grim news that the food banks in their UK network gave out 2.1 million food parcels to people facing hardship between April 2021 and March 2022.


830,000 of these were given to children.


It’s now easier than ever to donate to The Trussell Trust (the UK’s leading food bank charity). You can do so here.


The weekly Glue Factory newsletter and associated live online gathering are free to all subscribers every week, so donations are appreciated, no matter how large. 


Thank you.



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And that’s it from The Glue Factory for another week. Thank you all for your continued interest and support. Please spread the word, and let’s stick together in these dark times. 



David


Saturday, 30 April 2022

The Glue Factory newsletter 30

1st May 2022 



The old order changeth, etc. 


Welcome to this new bloggy version of the newsletter. From now on you'll get an emailed link first thing on Sunday morning and one click will bring you here. You can also (if that's your idea of fun) explore the archive of 800+ blogs I wrote between 2012 and 2020. I stopped blogging when the pandemic began and other priorities kicked in. 


Every Sunday The Glue Factory newsletter will continue to bring to your attention the kind of things you need to know. And, unlike Twitter it isn’t owned by Elon Musk. I shan’t harvest your details and commodify your existence for my personal enrichment and I will never invest millions in brain chips or experiment on animals or accuse brave cave rescuers of being paedophiles. Those are all promises, and I expect you to hold me to them.


I welcome suggestions from authors, indie publishers, press agents and creative practitioners of all kinds, in any medium, so please email me with anything you’d like to share with our readers in future issues. 


And don’t forget that if you receive a link to this newsletter you’ll also get a unique link to our live invitation-only online gathering on Sundays which start at 7:30pm UK time. They are always free to join so donations to The Trussell Trust - or your local foodbank equivalent if you're outside the UK - are appreciated.


Let me know if you’d rather not receive this regular update and I’ll happily stop badgering you.  


These are dark times and getting darker. Let’s stick together.


David



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Newsletter contents



1   Aid for Ukraine


2   This week’s online gathering


3   Indie press news


        ROAR

Galley Beggar Press

And Other Stories


4   Maia Elsner reading


5   I Know Where I’m Going 


6   National Poetry Library event


7   David Hayden: a new short story


8   Kavin Jackson klaxon 


9   Dalkey Book Festival 


10  Moth Poetry Prize shortlist


11  Next week’s online gathering


12  Nudge


____________________


1. Aid for Ukraine



You’ll have many calls on your time and generosity when it comes to supporting the people of Ukraine. This weekly newsletter will continue to highlight some of the less visible initiatives (and please let me know of any that you'd like to share), but the most far-reaching programme is the British Red Cross Ukraine Crisis Appeal. You can donate here.


____________________


2. This week’s online gathering


An evening curated by Richard V Hirst, editor of the forthcoming Waiting for the Gift: Stories Inspired by Low 10m


Low (1977) stands as both Bowie’s creative apex and an album which pushed popular music to the outer limits. The eleven short stories in Waiting for the Gift, each of which takes a song on the album as its title and inspiration, provide a collective response from some of the best contemporary writers of fiction.

 

 

Waiting for the Gift maps out the otherworldly labyrinth that is Low, moving through tales of madness and the abyss, but also of futuristic fantasia and intrepid inner exploration.



Join Richard and his guests Rowan Hisayo Buchanan, Ruby Cowling, David Hayden and Melissa Wan for 90 minutes of  prose, music and performance, with some rare Bowie footage and marvellous writing.

 

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3. Indie press news



ROAR


Not really indie press-related but included here. My thanks to Caroline Clark for alerting me to the existence of ROAR: Russia's Oppositional Arts Review. This was launched on April 23rd in Russian and English by Linor Goralik. The site was immediately cyber attacked but there's a work-around link here: https://spotted-meeting-c51.notion.site/ROAR-First-Issue-9b481dcf93ce4ff696ec537cad10f3a9…… 


Issues will appear as long as Russia continues to wage war in Ukraine.


Galley Beggar Press


Here’s a Good Thing. Our friends Sam and Eloise at Galley Beggar Press, the pre-eminent Norwich independent publisher, have just issued a list of April highlights from other indies, and it’s worth a look because it’s proof not that proof is needed) of how exciting the UK indie scene is, and what a wonderful range of adventurous writing is there for the asking.



And Other Stories: career opportunity



This Sheffield-based indie press is looking for a part-time Sales and Marketing Assistant (three to four days/ week; £20– £24k per annum pro rata).


This will be a good entry-level or second job. Though it will cover many areas of publishing work, there will be a focus on marketing and sales operations. The successful candidate will work closely with all members of the team, but especially the publisher and UK publicist. The successful candidate will also be responsible for our website’s direct sales and our subscription book club. This is an exciting opportunity to work with a great team at a well-known independent publisher. You’ll be working with some of the most exciting authors and translators in the industry such as Tice Cin, Mona Arshi, Preti Taneja, Juan Pablo Villalobos and Nichola Smalley.


To apply please send as three attachments the following:


1. your CV,

2. a covering letter detailing your fit for the post and your interest in And Other Stories and when you could start work,

3. and – if you have this experience, which is not a requirement – an example of publicity/communications/blog materials you have written, by end of Wednesday 4th May 2022 to publisher Stefan Tobler at stefantobler@andotherstories.org with ‘Sales and Marketing Assistant Application‘ in the subject line.


More details are on the and other stories website

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4. Maia Elsner



The poet Maia Elsner (a future guest on The Glue Factory) will be doing a reading at Camden Image Gallery on 14th May at 2:30pm of ekphrastic work inspired by  the paintings of her grandfather Dante Elsner. 


Free tickets available here


This is one of a series of events as part of the first ever show of Dante Eslner’s paintings, curated by Jana Manuelpillai from The Noble Sage. 


The exhibition runs from 11th - 16th May. 

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5. I Know Where I’m Going


Great news for film buffs. Martin Scorsese’s nonprofit The Film Foundation is launching a free virtual screening room to showcase restored films starting on Monday 9th May with I Know Where I’m Going! (1945) This happens to be one of my favourite films and if you've seen it already it's sure to be one of yours. If not you're in for a rare treat.

Directed by Michael Powell and Emeric Pressburger and restored by The Film Foundation and BFI National Archive, in association with ITV and Park Circus, will be available for a 24-hour window. Subsequent features will debut on the second Monday of each month. Events will start at a set time with introductions and conversations with filmmakers and archivists providing an inside look at the restoration process.

The lineup from co-curators Scorsese and Kent Jones includes Federico Fellini’s 1954 La Strada; G. Aravindan’s 1979 Indian film Kummatty; a film noir double feature of Detour (Edgar G. Ulmer, 1945) and The Chase (Arthur D. Ripley, 1946); Sambizanga (Angola, 1972, directed by Sarah Maldoror); One-Eyed Jacks (1961, directed by Marlon Brando); Moulin Rouge (John Huston, 1952); Lost Lost Lost (1976, by Jonas Mekas) and others TBA.

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6. National Poetry Library event


Make a date for the London opening of Future Cities on Wednesday 11th May, 7.30pm at the National Poetry Library on Level 5 (Blue Side) of the Royal Festival Hall.


Future Cities is an exhibition of artworks from the Arts Council Collection and includes live readings from contributing poets, including Glue Factory alumna and rising stars in the poetry firmament Astra Papachristodoulou and Aea Varfis-van Warmelo.


The exhibition speculates on the world to come in a narrative journey featuring works of art by Graham Gussin, Alek O, Prem Sahib and Janice Kerbel, and poetic responses by some of the UK’s most exciting voices – all brand new commissions.


The National Poetry Library is open on Tuesday 12 noon — 6pm and Wednesday to Sunday 12 noon — 8 pm. Closed Mondays.


More details and free tickets here.

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7. David Hayden: City of Pigs


Here’s a link to 'City of Pigs' a very short story by David Hayden, published by Granta (although perhaps that should be Grunta).


It will take you two minutes to read and stay with you for the rest of your day. Hell, the rest of your life.


There are very few writers who can match David for the beauty and austerity of his prose, and even fewer who would disagree with that. His first collection of short stories, Darker with the Lights On (2017) is one of the great books of the past decade, and widely admired, not least by other writers.


Here’s a review of this ‘brilliantly disturbing and unclassifiable debut collection'.


You can buy a copy from Carcanet here. 

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8. Kevin Jackson klaxon


Many people loved and admired the kaleidoscopic talent of the scholar and critic Kevin Jackson, who died last year. 


If you're one of them join Matthew Sweet, Marina Warner,  Jack Klaff and Tom Sutcliffe at the Jermyn Street Theatre (just ff Piccadilly Circus) for an event to celebrate his life and work. I never met him, alas, although I did review his Constellation of Genius (2012) for Literary Review, a brilliant account of modernism's watershed year of 1922. He is much missed.


Details and tickets here


And here's Tom Sutcliffe's obituary of Kevin Jackson.

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9. Dalkey Literary Awards


Dalkey Book Festival this week announced shortlists for the the 2022 Dalkey Literary Awards which aim to promote and support Irish writers. 


The annual awards have two categories: 'Novel of the Year' and 'Emerging Writer' and are for writers born or resident in Ireland and published in Ireland or the UK in 2021. 


Emerging writer shortlist


Lisa Harding: Bright Burning Things (Bloomsbury)

Louise Kennedy: The End of the World is a Cul de Sac (Bloomsbury)

Victoria Kennefick: Eat or We Both Starve (Carcanet)

Una Mannion: A Crooked Tree (Faber)

Rosaleen McDonagh: Unsettled (Skein Press)


The five authors featured in the shortlist for Novel of the Year are


John Banville: April n Spain (Faber)

Claire Keegan: Small Things Like These (Faber)

Nuala O’Connor: Nora (New Island)

Kevin Power: White City (Scribner)

Sally Rooney: Beautiful World, Where Are You (Faber)



I can hear the champagne corks popping in the Faber offices, and only wish there were a greater variety of indie presses represented here.  


Winners will be announced on Saturday 18th June, which is the last day of the Dalkey Book Festival. I should declare a bias: I want Nuala O'Connor to win. This is her year, and Nora is a marvel, and not just for Joyceans.


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10. Moth Poetry Prize winner


Aniqah Choudhri, a British Muslim writer from Manchester, was this week announced winner of The Moth Poetry Prize, as chosen by poet Warsan Shire. Here’s her prize-winning poem:



The Unloving Ground


In the shadow of Black Chew Head, an English woman

sets her dog on you. She says private property

but she doesn’t mean that small patch of earth,

of potato and bracken, but the purple tors, flaming

under a Lancaster sun, the crumbling sandstone

of keep and bailey, the dark wind flooding up

the wide Roman roads, the shorelines where the rocks,

wet and oilskin black, host the glitter of coalfish,

bream and bass, and the towers where crows

caw under a waxing moon, in the city

that once crushed a kingdom. Dare to leave the red

bricked factory-smoked cities, and the glances

slip and slide like oil until you run home

to the headlines that say, this isn’t yours,

this isn’t yours, you can speed your car through

the twist at Snake Pass, walk through the dogwoods

or the pearl-crushed mist, eat parsnips with bloodless beef

and sweeten the grist with sugar in your tea, dream

of Yorkshire fog and lilacs and the dark salt sea,

but even if you die here, you won’t belong here.

Even if you bury your heart, your ribs, your breath

in the sea-stormed, lichened, unloving ground,

England won’t answer.



Read more about the Moth Poetry Prize, and the three other shortlisted poems by Mark Fiddes, Roz Goddard and Heather Treseler here


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10. Next week’s online gathering


Our featured author next Sunday (8th May) is Andrew Jamieson who will be talking about and reading from his new book MIDLIFE: Humanity’s Secret Weapon (Notting Hill Editions) 25/30m 


an illuminating new book from esteemed psychotherapist Andrew Jamieson in which he draws on years of study and research to realise that the midlife crisis isn't some superficial, modern dilemma that we can laugh off: rather there is an actual evolutionary purpose behind this rite of passage and it is part of the reason why humans are the dominant species.


Also featuring:


Poet Astrid Alben on Little Dead Rabbit 

Roving reporter Melissa McCarthy on graffiti

Peter Chrisp and Lisa Wolfe share some thoughts on Finnegans Wake


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12. Nudge


It’s now easier than ever to donate to The Trussell Trust (the UK’s leading food bank charity). You can simply text TRUSSELL 5 to 70085 to donate £5 (in less time than it takes me to type this).


The Glue Factory newsletter and associated live programme are free to all subscribers every week, so donations are appreciated, no matter how large. 


Thank you.


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And that’s it from The Glue Factory for this week. Thank you all for your continued interest and support. Please spread the word, and let’s stick together. 



David