Newsletter January 2025

The Glue Factory January newsletter

So.

I hope the new year is shaping up well for you.  Or as well as can be expected.

This first newsletter is to let you know about forthcoming events and/or publications involving writers and creative practitioners I admire, all of whom have taken part in our online gatherings over the last few years and who will therefore be familiar to many of you. 

On Thursday 13th February Will Eaves and Beverley Bie Brahic will give a joint reading at the Broadway Bookshop, 6 Broadway Market, London E8 4QJ. The evening will feature two recently-published poetry collections: Will’s Invasion of the Polyhedrons and Barbara’s The Apple Thieves. It’s free, but spaces are limited and you’ll need to book here. 

More poetry! Our friend Julian Standard has a new ‘Selected Poems’ out this month from Salt. A wonderful collection spanning 25 years. You can order direct from the publishers here.

Kevin Boniface, author of Sports and Social and a  stalwart member of the Carthorse Orchestra community, is hosting a free online two-hour programme on 25th February. You have to book, mind:  Click here for tickets 

We’re used to being told (usually by Will Self) that the novel is dead, dying, or endangered. Yet the form remains more popular than ever with readers. In The Future of the Novel, published by Melville House, author Simon Okotie presents a bold future for long-form fiction, and suggests its evolution is far from over.  On the 26th February Lara Pawson will be in conversation with Simon to mark the launch of his brilliant new book The Future of the Novel (Melville House). You can order a copy here. The venue is the Liberia bookshop (65 Hanbury Street, London E1) and if it hasn’t already sold out (which it probably has) free tickets can be booked here. 

The City Changes its Face is the latest novel by Eimaer McBride, to be published by Faber on 13th February. It’s a sequel (of sorts) to The Lesser Bohemians and every bit as good - both light and deep, a perfect balance.

From the Faber website:

‘One of the finest writers at work today.’ ANNE ENRIGHT

‘McBride is a cartographer of the secret self, guiding us towards hidden treasure.’ CLAIRE KILROY

‘A writer for whom language is an end not a means, a beginning not an end.’ JEANETTE WINTERSON

‘A writer of remarkable power and originality.’ TIMES LITERARY SUPPLEMENT

(Fun fact: the last quote is from my TLS review of A Girl Is a Half-Formed Thing but for some reason I don’t get a name check. Am I bitter about this? Meh.)

 

A new novel by Kevin Davey will always be a literary highlight of any year. Toothpull of St Dunstan is the third part of a loose-knit trilogy set in Kent that follows Playing Possum and Radio Joan, and the central character is an 800-year-old Canterbury dentist. I read a draft some months ago and was stunned by the range, depth and originality of this strange, radically adventurous fiction. Nobody else today is writing anything like this, and if Kevin Davey has an equal it’s William Golding. There will be an online gathering to launch the book and plans are in hand for a real-life event in an appropriate venue. The publisher is Aaargh! Books (but there’s nothing on their website about this).

Tim Etchells and Vlatka Horvat are creating a new ballet ‘Go With Your Heart,’ with costumes by Laura Hopkins, opening on 21st March at the Theatre Basel in Switzerland, From the theatre website:

Stage icon Tim Etchells and artist Vlatka Horvat are creating their first joint choreographic work exclusively for Ballett Basel. Etchells is best known as the artistic director of the English performance group Forced Entertainment, one of the UK's most respected theater groups. His artistic fascination is with the rules and systems in our culture, which he examines in a playful and captivating way. Horvat, who most recently presented her work in the Croatian pavilion at the 60th Venice Art Biennale with the overarching theme «Foreigners Everywhere», explores in her work the spatial and social relationships between bodies, objects and the created environment. A dynamic, contemporary work in the interstices of art, choreography and artistic action.

More on that here. 

Susanna Crossman will be in London later this year to launch The Orange Notebooks - ‘a dazzling novel about a mother's journey through grief to radical hope.’ This will be in the Trafalgar Square branch of Waterstones on Thursday 22nd May, when the author will be in conversation with Catherine Taylor. Free tickets will be available from the Waterstones website later this year.

Wendy Erskine’s keenly-anticipated first novel The Benefactors will be  published by Sceptre on 19th June. This follows her two acclaimed collections of short stories Sweet Home and Dance Moves which (in my view) have done for Belfast what Joyce did for Dublin in Dubliners. Described as ‘a daring, polyphonic presentation of modern-day Northern Ireland.’  What a writer - she has all the gifts.

In such company I feel (as Auden would put it) ‘like a shabby curate in a room full of viscounts’ but as it happens I, too, have a new book out in June. 

A Crumpled Swan  is a collection of fifty essays (all by me) prompted by ‘In the dream of the cold restaurant,’ a single short poem by Abigail Parry. There will be launch events in Dublin (at Hodges Figgis on Thursday 12th June), in London (date and venue to be confirmed), and online (date to be confirmed). Extracts will appear in Exacting Clam, The London Magazine and elsewhere. 

Details of the book are on my publisher’s website here.

Finally - I’m delighted to be working with author Jake Goldsmith and others to re-launch the Barbellion Prize. This, you’ll know, is a prize for disabled writers which Jake created, funded and ran single-handedly. For health reasons it’s been on hiatus for the past two years, but will be back in September this year. More on this vital prize in the next newsletter, which will explain how you can be part of it. Meanwhile here’s the website.

That’s all for now. If you’re still reading this, thank you. These are dark times. Let’s keep the lights on.

David

PS Authors and indie publishers - do let me know if you have a book coming out or a project you’d like to promote and I’ll be happy to include details in future newsletters. These will be monthly, more or less, throughout the year. Do let me know if you’d rather not be on the mailing list and I’ll happily stop badgering you. D.

Farewell to 2024 -- a final online gathering

To end the year you're invited to a final online gathering on Monday 30th December at 7pm (UK time). If you're not already a subscriber please leave your full name and email address at the foot of this page. This is a free event.

The photographer Anne Worthington will join us from Manchester to discuss her extraordinary debut novel The Unheard, which I chose as my Book of the Year for Review 31.

Published by Confingo, it's available here: https://www.confingopublishing.uk/product-page/the-unheard   

In the second part of the programme, and to mark what would have been his 80th birthday, we'll be celebrating the life, work and legacy of Gilbert Adair (1944-2011), the novelist, critic, film historian, poet, translator and cultural commentator. 

                                                                                            Gilbert Adair

To mark the occasion we'll share a screening of Sailor Beware, a magnificent lowbrow farce much admired by Adair and the subject of a superb essay (which will be read on the night). The film made a star of the actress Peggy Mount in the role she was born to play: the formidable Emma Hornett, the mother of all battleaxes.

                                                                 Peggy Mount as 'Ma' Hornet

Synopsis: 

Able Seaman Alfred Tufnell is looking forward to leaving the navy and marrying his beloved, Shirley Hornett. An orphan from naval care homes, the service is the only family he's ever known and Alfred can't wait to settle down with Shirley and begin life on their own terms.

He's shocked and hurt, however, to discover that Shirley's battleaxe mother Emma (Peggy Mount), has put a deposit down on a house for the pair, just 3 doors from the family home. He can cope with his future mother-in-law in limited doses, but living on her doorstep...?

                                             

                                                                          Sailor Beware

Strength, love, art, politics:

40 Years of Forced Entertainment

Online, by invitation only. 

Sunday 10th November 2024 at 7pm (UK time)

               From left: Claire Marshall, Terry O'Connor, Robin Arthur, Tim Etchells, Cathy Naden and Richard Lowden.

               Photographed by Hugo Glendinning

Forced Entertainment formed in Sheffield in 1984 and since that time has established itself as a unique, challenging and inspiring institution in the British and European independent theatre scenes. Settling as a collective of six artists led by writer and director Tim Etchells, the group’s performances take a wide range of approaches to the task of reinventing theatre for the late 20th and early 21st Centuries. They are equally at home causing trouble in large-scale group pieces complete with guest performers and musicians, as they are creating subversive and intimate text performances, improvised marathon works of 2 to 24 hours and giddy online experiments.

At a recent event marking the group’s 40th anniversary artistic director Tim Etchells spoke about “... the arrow we have drawn, the distress flare we have shot into the sky, the marker we have placed - for artist-led initiatives, for collective making, collective decision making, collective authorship.  For a theatre that brings in energy, ideas and influence from art, from stand-up, from music, from popular culture, from performance, from many other places. For work made in the studio not on the page. For ambiguity, For difficulty. Against realism, because as we often liked to remind people, the real is too important to be left to the realists. Against a narrow definition of politics. For poetry. For the live, relational and constantly unfolding moment of theatre and performance. For its space of individual and collective encounter. For all this. The doors we and others have opened, and will continue to open."

Strength, love, art, politics: Forty years of Forced Entertainment will be a 90-minute mix of live readings by the company from texts used in performances across four decades, alongside video clips and conversations. Interspersed will be presentations by a special selected group of artists, performance makers and writers who hold the company and it’s work dear,  presenting personal reflections, memories, observations and readings inspired by the group’s work over 4 decades. Includes contributions from Tim Etchells and Forced Entertainment, Jennifer Hodgson, M John Harrison, Lois Keidan, Ocean Stefan Chillingworth, Laura Hopkins, Tanuja Amarasuriya, Lara Pawson, Lesley Ewen and others.

https://www.forcedentertainment.com/

                               

 

Kirsten Mosher: American artist

Sunday 27th October at 7pm (UK time)

NB this is the day British Summer Time ends so the clocks go back one hour from 2am on Sunday morning. Please don't forget, or you'll be way too early! 

If you're not on the guest list and would like to join us please leave your full names and email address at the bottom of this page.

Kirsten Mosher: American Artist

Kirsten Mosher is an artist and writer living in Massachusetts. Her chapbook Zero (minutes to) Home was published by Selektion in 2021, and her chapbook Plea$e Steal Me for 100 Plus Dollar-zz published by Lily Poetry Review Books, 2023. She is published in Ellipsis Zine, the Bath Flash Fiction Anthology, 2021, Sonder Magazine, Issue VII 2023, Minor Literature[s], 2024 and in Exacting Clam, Spring Issue 2024 among others. 

She is engaged in video, writing, studio work and art in public places and is currently working toward an exhibit at Frac Pays de La Loire in Carquefou, Nantes, France scheduled to open in November 2024. 

Her installation Soul Mate 180° for which she received the LACMA Art+Technology Award was exhibited at the Los Angeles County Museum of Art in 2020. 

Mosher has been showing her work nationally and internationally since the late 1980s, at venues such as the Venice Biennale Aperto, 1993; Villa Arson, Nice, France in 1994; the Museum of Modern Art, 1997; and with the Public Art Fund, NYC in 1998; and the Villa Merkel, Bahnwarterhaus in 1999. Lacma commissioned work for the exhibition A is for Zebra, in 2011, and the MUSAC in Leon, Spain commissioned work and published her series of Gumhead books in 2011.

Mosher has lectured, conducted professional development workshops, and created publications, and worked as an art educator at institutions such as Dia Art Foundation, LA County Museum, C.C.S. Bard College, Boston Center for the Arts, and Ecole Nationale des Beaux Arts de Lyon, France.

This evening's programme will offer a unique preview of new work made for this forthcoming show, and will include readings by Stephanie Elleyne, short films and examples of other work by the artist.

We'll also be joined by the American poet Chris Agee who will be reading from and discussing his epic poem Trump Rant (The Irish Pages Press, 2021).

Caustically humorous and polemically compulsive, Trump Rant is a work of meticulous political portraiture: a deep-delving and epoch-spanning investigation into the nature of power in American life, made luminous by Chris Agee’s nuanced, exploratory understanding of authoritarian drift and thwarted democratic aspiration in a number of world-historical contexts, from Belfast to the Balkans to the formerly Confederate South. Free-roaming in its breadth of reference and tonal range, the Rant is at once viscerally personal and unsettlingly resonant, infused throughout with an almost hypnotic sense of scale, largesse, and historical moment.

  

You can order Trump Rant from the publisher here https://irishpages.org/product/trump-rant/?v=79cba1185463. 

By entering coupon code TGF10 at checkout, members of the audience will receive an exclusive 10% discount off the RRP, valid until 30^th November.

kirstenmosher.com  @kirstenmosher

An evening with Mark Cousins and Rónán Hession

Sunday 29th September at 7pm (UK time) 

Join us to mark the publication of two outstanding books by two remarkable talents.

Mark Cousins is an English-born, Northern Irish film director and writer who will be joining us

to talk about his new collection of writings on cinema: Dear Orson Welles (and  other essays).

In this wide-ranging, stylish and iconoclastic book, Cousins reflects on his prolific career in filmmaking, meditating on the actors, directors, films, writers and philosophers that have influenced him, as well as on other adventures in filmland and on creativity in general.

Mark is a prolific documentarian, among his best-known works is the 15-hour 2011 documentary The Story of Film: An Odyssey.

He presented the BBC cult film series Moviedrome from June 1997 to July 2000, introducing 66 films for the show, including the little-seen Nicolas Roeg film Eureka.

In the 1990s and 2000s, Cousins interviewed directors, producers, and actors including Steven Spielberg, Woody Allen, Tom Hanks, Sean Connery, Brian De Palma, Steve Martin, Lauren Bacall, Jane Russell, Paul Schrader, Bernardo Bertolucci, Kirk Douglas, Jeanne Moreau, Terence Stamp, Jack Lemmon, Janet Leigh and Rod Steiger.

In 2009, Cousins and Tilda Swinton co-founded the "8/2 Foundation". Together they also created a project where they mounted a 33.5-tonne portable cinema on a large truck which was physically pulled through the Scottish Highlands. The travelling independent film festival was featured prominently in a documentary called Cinema is Everywhere. The festival was repeated in 2011.

 

He is the co-artistic director of Cinema China, The Ballerina Ballroom Cinema of Dreams, and A Pilgrimage, with Tilda Swinton. Together with Antonia Bird, Robert Carlyle, and Irvine Welsh, Cousins is a director of the production company 4Way Pictures.  Between 2001 and 2011, he wrote for Prospect, and now writes for Sight & Sound and Filmkrant.

He was appointed honorary professor of the University of Glasgow in 2013, as well as being awarded honorary doctorates at both the University of Edinburgh in 2007 and University of Stirling in 2014.

Order Dear Orson Welles (and other essays) from the publisher here:

https://irishpages.org/product/dear-orson-welles-other-essays/?v=79cba1185463

NB Courtesy of the publishers a discount code will be available on the night!

Rónán Hession needs no introduction as a leading light in the Carthorse Orchestra Players, who perform an annual live pantomime to raise funds for good causes. 

Audiences will never forget his haunting Jacob Marley in A Christmas Carol, his unsettling Humpty Dumpty in Alice's Adventures in Wonderland, his salty Mr Smee in Peter Pan and his enigmatic Signor Paravicini in The Mousebook. Rónán is a master of disguise as you can see, a Lon Chaney for the internet age: 

             Jacob Marley                                    Humpty Dumpty

Mr Smee

 

                                                                     Signor Paravicini

You will, like me, be surprised to learn that he has an unexpected side hustle... as a writer! 

He's published no fewer than two novels: Leonard and Hungry Paul (which is the 'Jacob Marley,' so to speak, of his writing career), and Panenka (which is the 'Humpty-Dumpty,' as it were, of his writing career), both of them attracting no small success in the world of books reading. 

And now he's written a third. It's called Ghost Mountain (the 'Mr Smee' if you will, of his writing career), and books reading folk who know about this kind of thing assure me that it's not half bad.  

                                             
                                                 

Whatever will he do next? 

And I don't just mean as a pantomime performer, although we have plans in hand for this December. 

What will be, if I can put it this way, the 'Signor Paravacini' of his writing career? Who can tell? 

One thing is for sure - it will certainly be his fourth novel.

The Dublin launch of Ghost Mountain at Hodges Figgis with (from left) actor Barry McGovern, RH, DC, Guillermo Stitch and Bluemoose Books head honcho Kevin Duffy.

                                                    At Manchester Waterstone's with Kevin Boniface.

                                              DC and Rónán at the London launch in the Bloomsbury Chapel.

Ghost Mountain and Rónán's other novels can be ordered direct from Bluemoose Books here: https://bluemoosebooks.com/books/ghost-mountain

     

                    

August Women

 Sunday 18th August from 7pm (UK time)

Join us for a high summer evening with three exceptional writers.

If you're not already on the mailing list and would like to join us, leave your full name and email address at the foot of this page.

Beverley Bie Brahic        Susanna Crossman            S. D. Curtis

Beverley Bie Brahic is a Canadian poet and translator who lives in Paris and the San Francisco Bay Area. Her poetry collection, White Sheets, was a finalist for the Forward Prize and a Poetry Book Society Recommendation. Her translations include Guillaume Apollinaire:The Little Auto, winner of the Scott Moncrieff Prize; Francis Ponge: Unfinished Ode to Mud, a finalist for the Popescu Prize for Poetry in Translationn; Yves Bonnefoy: The Present Hour; and books by Hélène Cixous, including Portrait of Jacques Derrida as a Young Jewish Saint, Manhattan, and Hyperdream, Jacques Derrida and Julia Kristeva. https://www.beverleybiebrahic.com

Her fifth collection, Apple Thieves, is published this month by Carcanet and available to order here:

https://www.carcanet.co.uk/cgi-bin/indexer?product=2518

Susanna Crossman is an award-winning Anglo-French fiction writer and essayist, published internationally in print and online. She has also been a stalwart contributor to these online gatherings since 2020.

Home is Where we Start is a memoir about her childhood in a utopian commune and published by Fig Tree/Penguin this month. It's a Guardian  2024 'Book to Look Out For'.

In the turbulent late seventies, six-year-old Susanna Crossman moved with her mother and siblings from a suburban terrace to a crumbling mansion deep in the English countryside. They would share their new home with over fifty other residents from all over the world, armed with worn paperbacks on ecology, Marx and radical feminism, drawn together by utopian dreams of remaking the world. They did not leave for fifteen years.

While the Adults adopted new names and liberated themselves from domestic roles, the Kids ran free. In the community, nobody was too young to discuss nuclear war and children learned not to expect wiped noses or regular bedtimes. Instead, they made a home in a house with no locks or keys, never knowing when they opened doors whether they’d find violent political debates or couples writhing under sheets.

Decades later, and armed with hindsight, Crossman revisits her past, turning to leading thinkers in philosophy, sociology and anthropology to examine the society she grew up in, and the many meanings of family and home. In this luminous memoir, she asks what happens to children who are raised as the product of social experiments and explores how growing up estranged from the outside world shapes her as a parent today.

Her forthcoming novel The Orange Notebooks will be published by Bluemoose Books in 2025. 

https://susanna-crossman.squarespace.com/

S D Curtis is a publisher, author and sometime translator from Croatian/Bosnian. She studied literature and public art at Roehampton University and has an MA in Education (Applied Linguistics). Her novels So Like Fire (1998) and Leave to Remain (2007) were originally self-published and have since been translated and published in Croatia. She has lived and worked for long periods in Rome, Ljubljana and Zagreb and presently does both in Camden, London.

Co-founder of Istros Books (which specialises in Balkan writing), Susan Curtis is also a poet and her latest collection  Axonas/Axis is available to buy here:

https://burleyfisherbooks.com/products/9781912545414

'In Axonas/Axis, Curtis gives voice to the experience of trauma and recovery through the poetic language of imagery rather than graphic detail, attempting to convey the fundamental twist in the narrative - perhaps even a breakage - that needs to be mended through a synthesis of mind, heart and body working towards the integration of the whole. The whole self. Using Ancient Greek words/concepts and mythology as a springboard to launch into her own personal etymology - the origin and intimate meaning of words dear to her - juxtaposed against what we commonly expect from that word. Ultimately, these poems attempt to tread on Holy ground, the territory where symbol is created from suffering and metaphor from the muscle of language, the territory of healing and wholeness.'

Join us for a memorable summer's evening of poetry and prose, and high-grade discussion.

David

A Dada gathering

 Sunday 28th August at 7pm UK time

If you're not already on the mailing list for these monthly live online events please leave your full name and email address at the end of this blog.

A gathering dedicated to the life, work and legacy of Hugo Ball, co-founder, with Tristan Tzara, of the hugely influential Dada movement.

                                                 Hugo Ball (1886-1927) performing at the Cabaret Voltaire

Catherine Schelbert will join us from Switzerland to read, in German and English, from her acclaimed translation of Ball's 1916 novel Flametti, or the Dandyism of the Poor which (as it happens) I reviewed for the Times Lit. Supp. in 2014.  

Hugo Ball wrote this hilarious, provocative, largely overlooked, semi-autobiographical novel in1916, the same year he, Emmy Hennings, Tristan Tzara, and others founded Cabaret Voltaire in Zurich. Their artist-run nightclub gave birth to Dada as a form of artistic protest against the brutality of the First World War raging in Europe. They spread their ideas in absurd, grotesque performances, sound poetry, and manifestoes. It is from this cultural and political context that the novel Flametti emerged.

“Flametti contains my whole philosophy. Love for those who are down. For the outcasts,
the downtrodden, the tormented.”
                                Hugo Ball in a letter to his sister Maria Hildebrand-Ball, December 1916.

“Schelbert has tackled [. . .] the original with wit and gusto —I can think of no other novel with so many exclamation marks. Every utterance is a mini-manifesto.”
                                David Collard, Times Literary Supplement

“Flametti is a novel that believes in art, and that believes in people. But it’s not at all clear why.”
                                Hannah Alpert-Abrams, Full Stop

“I love your Flametti !!! You are the best reader, writer, translator and all the rest . . . ever. Who had the magnificent idea to have you read it? It could be me. I want the whole book read by you.”
                                Jacqueline Burckhardt by email 

The programme celebrates the latest incarnation of Flametti as a revised edition of her translation (published this month), accompanied by an audiobook/radio play (available online and as a 10" vinyl disc) of Catherine's reading embelished by a soundscape created by Rotterdam-based artists Robert Hamelijnck and Nienke Terpsma. 

Join Catherine, Robert, Nienke and myself for a programme dedicated to all things Dada. Expect a few surprises and beneficial shocks. 

    

Keep the lights on!

David