Thursday 29 August 2024

Sunday 29th September at 7pm (UK time) 


An evening with 

Mark Cousins and Rónán Hession


Join us to mark the publication of two outstanding books by two remarkable talents.


Mark Cousins is an English-born, Northern Irish film director and writer who will be joining us

to talk about his new collection of writings on cinema: Dear Orson Welles (and  other essays).




In this wide-ranging, stylish and iconoclastic book, Cousins reflects on his prolific career in filmmaking, meditating on the actors, directors, films, writers and philosophers that have influenced him, as well as on other adventures in filmland and on creativity in general.

Mark is a prolific documentarian, among his best-known works is the 15-hour 2011 documentary The Story of Film: An Odyssey.

He presented the BBC cult film series Moviedrome from June 1997 to July 2000, introducing 66 films for the show, including the little-seen Nicolas Roeg film Eureka.

In the 1990s and 2000s, Cousins interviewed directors, producers, and actors including Steven Spielberg, Woody Allen, Tom Hanks, Sean Connery, Brian De Palma, Steve Martin, Lauren Bacall, Jane Russell, Paul Schrader, Bernardo Bertolucci, Kirk Douglas, Jeanne Moreau, Terence Stamp, Jack Lemmon, Janet Leigh and Rod Steiger.

In 2009, Cousins and Tilda Swinton co-founded the "8/2 Foundation". Together they also created a project where they mounted a 33.5-tonne portable cinema on a large truck which was physically pulled through the Scottish Highlands. The travelling independent film festival was featured prominently in a documentary called Cinema is Everywhere. The festival was repeated in 2011.


 

He is the co-artistic director of Cinema China, The Ballerina Ballroom Cinema of Dreams, and A Pilgrimage, with Tilda Swinton. Together with Antonia Bird, Robert Carlyle, and Irvine Welsh, Cousins is a director of the production company 4Way Pictures.  Between 2001 and 2011, he wrote for Prospect, and now writes for Sight & Sound and Filmkrant.

He was appointed honorary professor of the University of Glasgow in 2013, as well as being awarded honorary doctorates at both the University of Edinburgh in 2007 and University of Stirling in 2014.

Order Dear Orson Welles (and other essays) from the publisher here:

https://irishpages.org/product/dear-orson-welles-other-essays/?v=79cba1185463

NB Courtesy of the publishers a discount code will be available on the night!

Rónán Hession needs no introduction as a leading light in the Carthorse Orchestra Players, who perform an annual live pantomime to raise funds for good causes. 

Audiences will never forget his haunting Jacob Marley in A Christmas Carol, his unsettling Humpty Dumpty in Alice's Adventures in Wonderland, his salty Mr Smee in Peter Pan and his enigmatic Signor Paravicini in The Mousebook. Rónán is a master of disguise as you can see, a Lon Chaney for the internet age: 



             Jacob Marley                                    Humpty Dumpty


Mr Smee
 

                                                                     Signor Paravicini

You will, like me, be surprised to learn that he has an unexpected side hustle... as a writer! 

He's published no fewer than two novels: Leonard and Hungry Paul (which is the 'Jacob Marley,' so to speak, of his writing career), and Panenka (which is the 'Humpty-Dumpty,' as it were, of his writing career), both of them attracting no small success in the world of books reading. 

And now he's written a third. It's called Ghost Mountain (the 'Mr Smee' if you will, of his writing career), and books reading folk who know about this kind of thing assure me that it's not half bad.  

                                             
                                                 



Whatever will he do next? 

And I don't just mean as a pantomime performer, although we have plans in hand for this December. 

What will be, if I can put it this way, the 'Signor Paravacini' of his writing career? Who can tell? 

One thing is for sure - it will certainly be his fourth novel.




The Dublin launch of Ghost Mountain at Hodges Figgis with (from left) actor Barry McGovern, RH, DC, Guillermo Stitch and Bluemoose Books head honcho Kevin Duffy.

                                                    At Manchester Waterstone's with Kevin Boniface.

                                              DC and Rónán at the London launch in the Bloomsbury Chapel.


Ghost Mountain and Rónán's other novels can be ordered direct from Bluemoose Books here: https://bluemoosebooks.com/books/ghost-mountain



     

                    













Wednesday 7 August 2024

August Women

 Sunday 18th August from 7pm (UK time)

Join us for a high summer evening with three exceptional writers.

If you're not already on the mailing list and would like to join us, leave your full name and email address at the foot of this page.


Beverley Bie Brahic        Susanna Crossman            S. D. Curtis


Beverley Bie Brahic is a Canadian poet and translator who lives in Paris and the San Francisco Bay Area. Her poetry collection, White Sheets, was a finalist for the Forward Prize and a Poetry Book Society Recommendation. Her translations include Guillaume Apollinaire:The Little Auto, winner of the Scott Moncrieff PrizeFrancis Ponge: Unfinished Ode to Mud, a finalist for the Popescu Prize for Poetry in TranslationnYves Bonnefoy: The Present Hourand books by Hélène Cixous, including Portrait of Jacques Derrida as a Young Jewish SaintManhattanand Hyperdream, Jacques Derrida and Julia Kristeva. https://www.beverleybiebrahic.com

Her fifth collection, Apple Thieves, is published this month by Carcanet and available to order here:

https://www.carcanet.co.uk/cgi-bin/indexer?product=2518




Susanna Crossman is an award-winning Anglo-French fiction writer and essayist, published internationally in print and online. She has also been a stalwart contributor to these online gatherings since 2020.

Home is Where we Start is a memoir about her childhood in a utopian commune and published by Fig Tree/Penguin this month. It's a Guardian  2024 'Book to Look Out For'.

In the turbulent late seventies, six-year-old Susanna Crossman moved with her mother and siblings from a suburban terrace to a crumbling mansion deep in the English countryside. They would share their new home with over fifty other residents from all over the world, armed with worn paperbacks on ecology, Marx and radical feminism, drawn together by utopian dreams of remaking the world. They did not leave for fifteen years.

While the Adults adopted new names and liberated themselves from domestic roles, the Kids ran free. In the community, nobody was too young to discuss nuclear war and children learned not to expect wiped noses or regular bedtimes. Instead, they made a home in a house with no locks or keys, never knowing when they opened doors whether they’d find violent political debates or couples writhing under sheets.

Decades later, and armed with hindsight, Crossman revisits her past, turning to leading thinkers in philosophy, sociology and anthropology to examine the society she grew up in, and the many meanings of family and home. In this luminous memoir, she asks what happens to children who are raised as the product of social experiments and explores how growing up estranged from the outside world shapes her as a parent today.

Her forthcoming novel The Orange Notebooks will be published by Bluemoose Books in 2025. 

https://susanna-crossman.squarespace.com/


S D Curtis is a publisher, author and sometime translator from Croatian/Bosnian. She studied literature and public art at Roehampton University and has an MA in Education (Applied Linguistics). Her novels So Like Fire (1998) and Leave to Remain (2007) were originally self-published and have since been translated and published in Croatia. She has lived and worked for long periods in Rome, Ljubljana and Zagreb and presently does both in Camden, London.

Co-founder of Istros Books (which specialises in Balkan writing), Susan Curtis is also a poet and her latest collection  Axonas/Axis is available to buy here:

https://burleyfisherbooks.com/products/9781912545414

'In Axonas/Axis, Curtis gives voice to the experience of trauma and recovery through the poetic language of imagery rather than graphic detail, attempting to convey the fundamental twist in the narrative - perhaps even a breakage - that needs to be mended through a synthesis of mind, heart and body working towards the integration of the whole. The whole self. Using Ancient Greek words/concepts and mythology as a springboard to launch into her own personal etymology - the origin and intimate meaning of words dear to her - juxtaposed against what we commonly expect from that word. Ultimately, these poems attempt to tread on Holy ground, the territory where symbol is created from suffering and metaphor from the muscle of language, the territory of healing and wholeness.'




Join us for a memorable summer's evening of poetry and prose, and high-grade discussion.


David